The song was so strong that as soon as she sang the chorus, everyone started singing along.” “She really wasn’t so comfortable onstage, and it was really putting someone in the spotlight without having had any experience in the New York community - but she did great. “And she did it in front of the key individuals and all the key tastemakers in the house music community,” he added. English’s first live performance was there, in 1994. Vega’s small but influential Underground Network party at the Sound Factory Bar in Manhattan. In America, where house music was still an underground phenomenon, it was played at Mr.
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Vega and Kenny Gonzalez, known as Kenny Dope) were in-demand remixers, and “Nite Life” was licensed to Polydor in Britain, where it hit the Top 40. “And once I knew that Masters at Work were going to be doing the remix, then it really was an automatic for me.” “I did know right away the song had something special,” Mike Weiss, a founder of the label, said in an interview.
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“And to hear that smoky alto voice on a dance song, it was just so unique and so different at the time.” “Her voice actually reminded me, very much so, of Anita Baker’s voice,” Mr. English to the attention of the vocalist Byron Stingily of Ten City, a Chicago trio of vocalists, songwriters and producers that combined house and R&B. In the early 1990s, the Chicago house D.J. On the list of more than 20 influences on Ms. She went to high school at Kenwood Academy in Chicago, studying under the famed vocal teacher Lena McLin, whose students have also included the opera baritone Mark Rucker and R. 6, 1970, to Annie (Herron) English, a schoolteacher, and Ronald English, a corrections officer. 1 hits on Billboard’s club/dance chart, more than chart-topping dance notables like Daft Punk, Calvin Harris and New Order. English singing like Dorothy Gale back in Kansas but still dreaming of Oz: “I’m trying hard to find this place again/Lord knows, I’m glad at least I’ve been.”įrom 1999 to 2007, with singles like “Unspeakable Joy” and “Everyday,” Ms. It became an enduring club staple, with Ms. Her breakthrough was “Nite Life,” a 1994 12-inch disc given a luxurious mix by the New York garage producers Masters at Work and a harder-edged remix by Armand Van Helden.